Research Texts

• Adorno, Theodor & Eisler, Hanns 'Composing for the Films'
• Agacinski, Sylviane ‘Time Passing. Modernity and Nostalgia’
• Aristotle ‘Poetics’
• Arnheim, Rudolf 'Film As Art'
• Auster, Paul 'Oracle Night'
• Bal, Mieke ‘Narratology’
• Barthes, Roland ‘A Roland Barthes Reader’
• Barthes, Roland ‘Image, Music, Text’
• Bellantoni, Patti 'If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling'
• Branigan, Edward ‘Narrative Comprehension and Film’
• Calvino, Italo 'If On A Winter's Night A Traveller'
• Chiaramonte, Giovanni & Tarkovsky, Andrey 'Instant Light. Tarkovsky Polaroids'
• Coleman, A.D. 'The Digital Evolution'
• De Carava, Roy 'The Sound I Saw'
• Eisenstein, Sergei ‘The Film Sense’
• Egoyan, Atom & Balfour, Ian (edited by) ‘Subtitles. On the Foreignness of Film’
• Gaggi, Silvio 'From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts, and Electronic Media'
• Gilbert, Stuart ‘James Joyce’s Ulysses’
• Gitelman, Lisa & Pingree, Geoffrey B. (edited by) ‘New Media. 1740 – 1915’
• Goldberg, Ken (edited by) ‘The Robot in the Garden’
• Goldman, William 'Adventures in the Screen Trade'
• Goodall, Howard ‘Big Bangs. The Story of Five Discoveries that Changed Musical History’
• Gorbman, Claudia 'Unheard Melodies. Narrative Film Music'
• Hansen, Mark B.N. ‘New Philosophy for New Media’
• Hardy, G.H. 'A Mathematician's Apology'
• Hitchens, Henry 'Dr. Johnson's Dictionary The Extraordinary Story of the Book that Defined the World'
• Hockney, D. 'Cameraworks'
• Itten, Johannes 'The Art of Color'
• James, Clive 'North Face of Soho: More Unreliable Memoirs'
• Johnson, Vida T. & Petrie, Graham ‘The Films of Andrei Tarkovsky. A Visual Fugue’
• Joyce, James ‘Ulysses’
• Kandinsky, Wassily 'Concerning The Spiritual in Art'
• Koppelman, Charles ‘Behind the Scene. How Walter Murch edited Cold Mountain using Apple's Final Cut Pro and what this means for Cinema’
• Lister, M., Dovey, J., Giddings, S., Grant, I. & Kelly, K ‘New Media: A Critical Introduction’
• Lunenfield, P. (edited by) 'The Digital Dialectic. New Essays on New Media'
• Mackendrick, A. 'On Film-making'
• Manovich, Lev ‘The Language of New Media’
• Meadows, Mark Stephen ‘Pause and Effect. The Art of Interactive Narrative’
• Michelson, Annette (edited by) 'Kino-Eye. The Writings of Dziga Vertov'
• Miller, Frank & Rodriguez, Robert 'Frank Miller's Sin City. The Making of the Film'
• Murch, Walter ‘In the Blink of an Eye’
• Murray, Janet H. 'Hamlet on the Holodeck. The Future of Narrative in Cyberspace'
• Nafisi, Azar ‘Reading Lolita in Tehran. A Memoir in Books’
• Noam, Eli; Groebel, Jo & Gerbarg, Darcy (edited by) ‘Internet Television’
• Ondaatje, Michael ‘The Conversations. Walter Murch and the Art of Editing Film’
• Propp, Vladimir ‘Morphology of the Folktale’
• Reay, Pauline ‘Music in Film. Soundtracks and Synergy’
• Reisz, Karel & Millar, Gavin ‘The Technique of Film Editing’
• Riley, Brian T. (edited by) ‘Socio-Linguistics. Language on Culture and Society’
• Rist, Thomas; Aylett, Ruth; Ballin, Daniel; Rickel, Jeff (edited by) ‘Intelligent Virtual Agents 4th International Workshop, IVA 2003. Kloster Irsee, Germany, September 2003 Proceedings’
• Ryan, Marie-Laure ‘Narrative as Virtual Reality’
• Storr, Anthony ‘Music and the Mind’
• Tarantino, Michael (edited by) 'The Event Horizon'
• Tarkovsky, Andrei ‘Sculpting in Time’
• Welford, AT & Houssiadas, L (edited by) ‘Contemporary Problems in Perception’
• Williams, Raymond ‘Keywords’
• Rieser, Martin & Zapp, Andrea (edited by) ‘New Screen Media. Cinema/Art/Narrative’
• Tarantino, Michael (edited by) ‘The Event Horizon’
• Zizek, Slavoj (edited by) ‘Everything You Always Wanted to Know about Lacan (But Were Afraid to ask Hitchcock)’